- SESSION BASSIST - PRIME BASS Manual
- Navigating PRIME BASS
Navigating PRIME BASS
The following sections describe the different browsers and pages in PRIME BASS. These include the Pattern Inspector, Song Browser, Pattern Browser, Bass Settings, Amps & Effects, and Playback pages.
The Pattern Inspector
Modify the length, start position, volume, and tempo of any PRIME BASS pattern using the Pattern Inspector.
The Pattern Inspector provides access to various parameters that will modify the length, start position, volume, and tempo of any pattern. The values of the Pattern Inspector will always refer to the selected pattern. In other words, if you select a different pattern, the Pattern Inspector will adapt its content accordingly.
To show or hide the Inspector Panel:
Click on the wrench icon button.
The Pattern Inspector opens.
The Pattern Inspector contains the following settings and controls:
Shift: Edit this value to shift the selected pattern's start (entry) position. Alternatively, you can drag the pattern's rhythm display left or right.
End: Edit this value to reduce the selected pattern's length so that it will loop earlier. Alternatively, you can drag the terminating flag left or right.
Tip
You can use the End Step feature very creatively. For example, you can trim a 4/4 signature pattern by eight 16th snippets, so that it will perfectly fit a 3/4 signature. You can also trim any pattern to odd signatures, such as 5/8 or 7/8. Combined with the Start Shift feature, you have very powerful tools to create whole new patterns and feels (e.g., start-shift a constant eighths pattern from on-beats to off-beats, etc.). Be creative!
Tempo: With the three tempo choices in the drop-down menu, you can switch the selected pattern's tempo from normal (1:1) to half time (1/2) or double time (×2). Please note that there is also a global time scaling feature on the Playback page (refer to The Playback Page). Its tempo factor will be multiplied by each pattern's individual tempo factor.
Tip
With slow host tempos, switching a pattern to half time may not work if the actual relative tempo falls below the limit of ca. 65 bpm.
Style (available for single note patterns only): From this drop-down menu, you can select three different playing techniques: open, muted and flageolet, each played with fingers or plectrum. For some of the patterns, you can also choose a pre-defined mixture of them (mixed). Choose Original to hear the pattern in its original state.
Fret Pos (available for single note patterns only): Change this value to make the virtual bassist play in higher fret positions, which typically results in a more mellow tone.
Vol: Change this value to adjust the volume of the selected pattern, ranging from -24 dB up to +24 dB in 0.1 dB increments.
Phrase and One Pitch modes: Some patterns contain melodic phrases, while others are based on just one single pitch. For more information, see Phrase and One Pitch Mode, MIDI Drag and Drop.
The Song Browser
Combine patterns and presets into Songs. Quickly find and load Songs via the Song Browser.
In PRIME BASS, a Song is a preset that contains up to eight related patterns along with a factory sound preset as well as some settings of the Playback page. The patterns contained in a Song are loaded into the pattern slots.
Note
If you want songs to apply their recommended sound settings, activate the Link to Song feature in the top right box. If you deactivate this feature, the current sound settings won't be changed when you load a song.
To browse songs and then load a Song:
Click on the current song name; this will open the Song Browser.
Use the attribute buttons at the top of the browser to filter the list of displayed Songs by various attributes. To show all Songs, deselect all attribute buttons, which can be accomplished by pressing [alt] +clicking any button.
To load a Song, double-click its name or click on the tick button. If you wish to exit the Song Browser without changing anything, click on the X button instead.
Tip
Alternatively, you can cycle through the included Songs, without entering the Song Browser, by clicking on the triangular arrows to the left and right of the current Song name.
The Pattern Browser
The Pattern Browser lets you find the right patterns for your song. You can filter by attributes or tap in a rhythm that fits your style.
Since a preset Song might not meet your exact needs, you might wish to change a slot's pattern, or load additional patterns into specific slots. Click on the magnifying glass icon right next to any pattern to open the Pattern Browser.
The top area of the Pattern Browser holds a series of buttons that you can use to refine your search, including a Rhythm Search strip, which is a very powerful tool for finding patterns that match your custom rhythm. The body of the Pattern Browser contains a list of all patterns matching the current search criteria. If the list is too long to fit the screen, you can scroll through the list by dragging the scroll handle on the right up or down.
Note
The Rhythm Search strip is merely a tool to find pre-recorded patterns in the pattern library. It is technically impossible to create your own patterns by entering a certain rhythm, so, despite its look, the Rhythm Search strip should not be confused with a step sequencer.
To search a pattern by attributes (and not by rhythm), make sure the Rhythm Search strip is cleared. If it is not, click the Clear button next to the strip. Then refine your search by selecting any of the attributes, such as Muted, Finger, 4/4, etc. If you want to bypass a category (such as Plec/Finger/Slap), deselect all attributes of that category. Consequently, you would need to deselect all attributes to display all patterns.
To search a pattern by attributes and rhythm, first, select/deselect the desired attributes as described above. Then, enter a rhythm on a 16ths note basis into the Rhythm Search strip. With each new rhythm snippet that you enter, the pattern list will be refreshed in real-time, sorted by the similarity of the desired rhythm to the rhythm of all patterns available in the library, in descending order.
Tip
There is a powerful shortcut feature to quickly enter a repeating pattern into the Rhythm Search strip: enter the beginning of the pattern and then [Alt] + click on the position of the first repetition. Furthermore, if you [Alt] + click on the first snippet, all other snippets will be activated/deactivated.
To 'tap in' a rhythm: first press the Record button and hear the metronome count-in. Then start playing a rhythm on your MIDI keyboard or click on the 'Tap' button. You can start at any time, so you can also start with a pickup beat. After 2 bars the recording will automatically stop, and the search results will be listed.
The rhythm search algorithm is very powerful. It will compare the rhythm defined in the Rhythm Search strip not only to the rhythm of the other patterns from start but also from any possible shifted starting position. This way, patterns with specific start shift offsets might be revealed as musically matching-patterns which otherwise would simply be overlooked. If the perfect start shift offset is different from 0, the value is appended to the pattern name. Upon loading a pattern, that offset will automatically be applied and entered into the Pattern Inspector (refer to The Pattern Inspector). Also, the Rhythm Search algorithm will rate accents higher than non-accentuated snippets. So, if you're searching for accents following a certain rhythm, try entering the accents only.
Tip
If you cannot find the desired rhythm straight away, chances are that you can create that particular rhythm by separately searching for the first and second half of the rhythm of a desired pattern, loading the two halves into two different slots, and combining them during playback. Alternatively, you can load the same pattern into two different slots and adjust the Start Shift of one of them, in order to shift accents to the desired positions.
To search for patterns similar to the selected one, you would need to search for patterns with a rhythm similar to the selected pattern's rhythm. Instead of entering and copying the rhythm manually, you can simply transfer the rhythm of the selected pattern into the Rhythm Search strip by clicking on the Similar button.
This will start a search and put the selected pattern at the very top of the listed results, since that pattern matches its own rhythm a 100 percent, of course. Rhythmically similar patterns will be listed subsequently.
To play a preview of a pattern, click on any of the listed patterns. This will also display the pattern's rhythm structure in the second strip. The preview playback will sync to the host tempo and transport position if the transport is running. However, only one selectable pitch can be previewed. Incoming MIDI notes will be ignored.
To stop the preview playback, simply click on the playing pattern again or, if the host transport is running, stop it.
To change the preview pitch, select a pitch in the top drop-down menus or value dragger.
To load a pattern, simply double-click the pattern or click the tick button. (If you want to cancel the process, click the X button instead.)
To load a pattern to a different slot than the currently selected one, choose one of the eight available pattern slots from the drop-down menu in the upper right corner. Confirm by clicking the tick button, or double-click the respective pattern.
The selected pattern will now be loaded into the selected slot; a previous pattern of that slot will be replaced. The pattern browser will be closed.
The Bass Settings Page
Adjust the sound of the bass itself via the Bass Settings Page. From drive and brightness controls to mic positions and additional recording noises.
Click on the Bass Settings tab (at the bottom of the instrument) to display the Bass Settings page. This page provides controls that you can use to adjust the sound of the bass itself, whereas the Amps & FX page provides virtual effects, such as EQ or reverb. This page is divided into several sections, each of which is described below.
D.I. SIGNAL - Drive: The main signal of the bass comes with a variable Drive control, which adds tube and transformer saturation to the signal to create a dense and solid bass sound without adding additional effects.
D.I. SIGNAL - Tone: Use the Tone control to adjust the brightness of the D.I. signal.
MIC 1, 2: In addition to the pickup signal, you can add the acoustic signals of two different microphones, each yielding a distinct sonic characteristic. Use the Volume and Pan controls to adjust the volume and panning of each microphone. If you don’t want to use a mic, it should be switched off with its square on/off button at the top to save memory.
DAMPING - Decay: You can set the decay time of notes by adjusting the Decay control. To adjust the decay in real-time, right-click to assign a MIDI controller to this knob. This way, it is possible to emulate continuous progressions from very short notes to a gradually longer decay or vice versa.
NOISE - Frets: Use this knob to adjust the volume of fret noises, which are automatically added upon changing pitches. When playing melodies or pattern pitch changes, the instrument emulates fingering noises and the ringing of the section of the strings between the saddle and the left hand of the bassist.
NOISE - Noise Floor: Use this knob to raise the noise floor. The noise floor is switched off while the instrument is not playing.
TUNING: Use this knob to detune the bass.
Tip
Moderate levels of noise floor, fret noises, and detune can help add realism and create a more tangible bass sound.
The Amps & FX Page
Apply various studio effects to the signal. Learn how to build an effects chain to polish your PRIME BASS sound.
Clicking on the Amps & FX tab (at the bottom of the instrument) will open a page where you can apply several studio effects to the signal.
The effects chain displays the currently loaded effects. Clicking an effect icon displays its settings in the inspector section below.
To change the order of the effects, simply drag and drop the respective icon in the effects chain left or right.
To bypass an effect, click the yellow square button next to its name.
To bypass the entire effects chain, click on the yellow square to the left of the Amps & Effects page title. Please consider that the effects still require processing power, unless the effects chain is cleared.
To clear the entire effects chain, click on the Clear All button in the upper right corner and confirm.
Tip
If you want to process the unaltered recorded signal with external effect plugins, you can save CPU resources by clearing the entire effects chain instead of just bypassing it.
To remove an effect, click on the Clear Slot button on the right side.
To load a different effect into the current slot, click the magnifier icon next to the inspector heading or click the magnifier icon that appears when hovering the name of an effect slot. This will open the AMPS & FX BROWSER. In that browser, click on the desired effect to load it into the selected slot. If the effect slot wasn’t empty, the loaded effect will automatically replace the previously loaded one.
The Playback Page
Manipulate the way in which patterns are played back in PRIME BASS, from swing to humanization and different sync modes.
Clicking on the Playback tab (at the bottom of the instrument) will open the Playback page. This page contains settings that affect the way the patterns are played back. This page is divided into several sections, each of which is described below.
To exclude the Playback settings from Songs or snapshots, click the lock icon on the Playback tab at the bottom of the instrument (refer to Locking Parameters When Loading Snapshots or Songs).
PERFORMANCE - Humanize: Use the Humanize knob to set the amount of quantization added to all patterns. In the right position, the timing of the original performance will remain unaltered. At the left position, the performance will be fully quantized.
PERFORMANCE - Swing: Use the Swing knob to set the amount of swing added to each pattern, either on a 16th note or a 8th note basis (selectable via switch). A setting of 0% would represent the original state of all patterns.
PERFORMANCE - Feel: Use the Feel control to shift accents in a pattern from the Downbeat to the Offbeat and vice versa to adapt the accentuation of a pattern to your needs. Depending on the current pattern, make sure to select the correct time base (16th vs. 8th notes), which applies for both Swing and Feel.
Note
If the Swing or Feel knobs don't affect the playback, it is very likely that either a triplet pattern is selected, or the timing basis has to be changed from 16th to 8th notes.
TIMING - Shift: Increase the offset for a laid back feel or decrease the offset to have the virtual bassist play ahead of the beat.
LATCH MODE: After you have released all keys, the pattern playback will automatically stop within the note duration specified in the LATCH MODE drop-down menu.
Tip
The slightly delayed stopping of the playback enables the engine to perform smooth transitions from one pitch to the next, even if the incoming MIDI notes are not played as a seamless legato performance. However, if you want to stop the performance at a specific position in the arrangement, e.g., to perform a break, it is advisable to trigger one of the “ending keys” (G#1, A1, Bb1) at the desired position.
PATTERN SYNC: Use the drop-down menu to select one of two available sync modes.
Sync to host: With this mode selected, pattern playback will start in sync with your host sequencer. As PRIME BASS is based on two-bar patterns, make sure to start your song on bar one or any other uneven bar number (e.g. bar 3, bar 5, bar 17).
Start on a key: With this mode selected, pattern playback will start from the beginning as soon as the first note is being played, ignoring the current host playback position. As long as the playback does not get interrupted (refer to LATCH MODE above), this shifted performance will be retained even if you subsequently play notes.
DEFAULT MODE (melody instrument): In the melody instrument, you can combine melodic playing and pattern playback into one cohesive performance. When set to Melody, you can play melodies by default, and holding down a pattern keyswitch will temporarily trigger a pattern. When set to Pattern, the instrument will perform patterns by default, and holding down one of the melody keyswitches will temporarily allow you to play melodies (for more information, refer to Combining Melodies and Patterns).
TEMPO: Here, you can select between three tempo ratios 1⁄2 (half time), 1:1 (normal time), or ×2 (double time), which will globally affect the pattern playback speed relative to the host tempo. Please note that there is also a local time scaling feature available for each pattern (refer to The Pattern Inspector). The individual patterns' tempo factors will each be multiplied by the global tempo factor.
Note
With slow host tempos, switching the global tempo to half time may not work if the actual relative tempo falls below the limit of around 65 bpm.